Review: Britten’s War Requiem (West Australian Symphony Orchestra)
Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.
Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.
The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.
The MSO’s Chief Conductor discusses Stravinsky's The Firebird, Petrushka and The Rite of Spring as his August concert program gets underway.
One of Australia’s foremost violin pedagogues, who was a founding member of the ACO, has died at the age of 75, leaving behind a formidable legacy.
The latest arts appointments and departures.
An outstanding survey of Australian new music, but caution is needed when it comes to categorising compositions.
Composer Bruce Crossman and pianist Kane Chang discuss their piece Fragility and Sonorousness, which draws on the pair's diverse cultural heritage as well as their lived experiences in the Pacific region.
Percussionist Al Fane talks about '[sound is] A Body in Space', written with composer K. Travers Eira, which is centred on the human body and the physicality of percussion.
Composer Andrián Pertout discusses his piece Mīmēsis, written for violist Henry Justo, which draws on Aristotle and the mathematical concept of ‘partitions’.
In the first of a five-part series, learn from the composer and performer about one of the pieces commissioned for The ANAM Set, one of the most ambitious commissioning projects in Australian history.
There are 67 new pieces of Australian music in the world and you can hear them all in a festival at ANAM.
ANAM’s immediate and immersive chamber music experience will take up residence in London’s Royal Albert Hall for a special season in September.
Australian ensemble flies the flag at prestigious overseas event.