Review: Beethoven: The Emperor (West Australian Symphony Orchestra)
The third and final leg of a hugely satisfying journey through one of classical music’s most significant achievements.
The third and final leg of a hugely satisfying journey through one of classical music’s most significant achievements.
Heartening to see an almost full Hamer Hall for this admirable MSO performance under the baton of Vasily Petrenko.
Australia crowns Beethoven king of the keys (again) as the 'Emperor' Concerto takes out this year's piano-centric poll.
The frisson of live concerts ensures this unmissable Karajan set takes flight.
This vivid account transports you to 19th-century Vienna.
Melbourne Symphony Orchestra's Beethoven Festival is set to be a test for string players – and a rare opportunity to experience the musical evolution of a genius.
An incisive exploration of three Beethoven piano trios, not all of which began as piano trios.
Miriama Young explains how she was inspired by Beethoven’s Ninth when she was commissioned by Canberra Symphony Orchestra.
A scintillating performance of great chamber masterpieces by Bartók, Brahms and Beethoven.
Beethoven's Symphony No. 9 in D minor – famous for its finale 'Ode To Joy' – has now topped the Classic 100 countdown for a fourth time.
Infectious enthusiasm is a hallmark of these vibrant performances.
A liturgical performance of Beethoven's masterpiece, exactly 200 years after its first hearing, reminds us that peace is always longed for, seldom found.
The Danish String Quartet violinist explains how the Prism series has been a rite of passage.