A Dignified Pairing
Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.
Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.
Bananaland has a strong message, powerful moments, a sensational central performance – and room for development.
What do our festivals have on offer in the year ahead?
Queensland Theatre's 2024 begins with a new staging of a pre-war classic and ends with a new Australian musical.
The choice of venue and music alone tells you that Circa is aiming for something far more lofty than the oohs and ahs of the big top.
Johannes Fritzsch and Michael Gow lead Queensland Conservatorium performers to triumph in an engaging and innovative retelling of an old tale.
This rich portrait of a marriage in which one of the people is transitioning, asks if love is really unconditional.
This new dance-theatre work transfixes the audience with its creation of an apocalyptic, drowning world swamped in overpowering heat.
Log in to read the PDF version of Limelight's September 2023 magazine.
Kate Miller-Heidke and Keir Nuttall's musical Bananaland opens at Brisbane Festival. They say write what you know, so that's what they did.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A gimmick? An existential threat? Limelight's cover story this month is devoted to the talking point of the year: Artificial Intelligence.
The Orpheus and Eurydice story has fascinated opera-makers for centuries. Now, three of the greatest versions of the tale are about to collide.