In May, Harry Connick Jr. premiered a symphony at Carnegie Hall with Orchestra Victoria. He tells us why it was his most significant performance.

It’s 400 years since the death of John Dowland, the English composer, lutenist, singer (and spy). We trace his career with Iestyn Davies.

Twenty-five years after founding her innovative contemporary dance company, Lucy Guerin is ready to embrace the next chapter in her career.

Ahead of his Sibelius cycle with the ASO, Mark Wigglesworth talks about the composer’s radical reinvention of the symphony.

Actor Helen Thomson has spent a lifetime perfecting difficult women. Her role in Sydney Theatre Company's The Unfriend maybe her most perfectly difficult yet.

American guitarist and composer Bryce Dessner is about to join the Sydney Symphony Orchestra for two programs of his work. He chats about his compositions.

The Farm's Co-Artistic Director Gavin Webber introduces its new production, which addresses mortality and premieres at Brisbane Festival.

Going solo in 2024, Joshua Batty talks about how he is expanding the flute repertoire.

Camerata – Queensland's Chamber Orchestra expands its forces for Brisbane Festival's immersive fusion of film, music and environmental advocacy.

As her international career goes from strength to strength, Suzie Miller talks about her latest play, Strong is the New Pretty, about the formation of the AFL’s women’s league.

Composer and saxophonist Katia Beaugeais discusses her new Piano Concerto No. 1, which includes improvised bird calls and whistling.

The latest arts appointments and departures.