A round-up of our recent news reports.

A welcome (and terrifying) reminder of how powerful the melding of film and music can be.

We look at the Australian National University's now-abandoned Renew ANU proposal and discuss the future for classical music in Canberra.​

After living in the UK for two decades, Helena Dix is back. And now there's "no more sitting like a puppy dog at an opera casting director’s door . . ."

Jessica Cottis inspires orchestra and audience alike in an accomplished concert unified by themes of friendship.

In 2025, Australian orchestras performed female composers more than Bach, Beethoven and Mozart combined. Hannah Lee Tungate walks us through the stats.

Sunny Kim and Hilary Kleinig explain how their new chamber work for Canberra Symphony Orchestra was born out of improvisation.

What do our orchestras and choirs have on offer in the year ahead?

The ANU School of Music will continue in its current form and welcome a brand-new performance hub in 2026.

Featuring superstar Aussie soloists, large-scale orchestral gems and home-grown music, this year's season is inspired by interconnectedness.

Thoughtfully transmitted, thoroughly immersive and fittingly beguiling – all at once.

What is synaesthesia? How does it manifest itself in music makers and their listeners? We talk to a leading expert and musicians to find out.