Risky Business
From the Olympics to opera, Àlex Ollé discusses La Fura dels Baus.
From the Olympics to opera, Àlex Ollé discusses La Fura dels Baus.
The importance of breath control for musicians and singers.
Why do post-concert celebrations so often revolve around alcohol? asks Guy Noble, who is thinking of trading a glass of bubbly for an iced doughnut.
Updated to 1953, and with an Aussie Elsie, this good-looking production misses too many opportunities.
A hollow-hearted new co-production with the Met gets off to a standing start.
An Aussie Josephine is just one of the rippers as G&S meets Morecambe and Wise.
In his final column, Clive Paget recommends Glass at the Met, OA's Turandot, and a handful of European gems.
The Heldentenor criticised OA for repetitive choices and employing “second rate” international singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Stuart Skelton earns top laurels as Wagner’s tortured hero.
The Australian soprano has wowed audiences and critics alike in London, singing the title role in Bellini’s ‘Norma’.
★★½☆☆ Benedict Andrews’ Bohème is a misunderstanding of young people in love.
Monty Python's Gilliam creates mayhem to match Berlioz's comic masterpiece.
This Otello may not be Grand and Italian, but is all the stronger for it.