Pinchgut's Erin Helyard joins ANU faculty staff in a week-long exploration of a remarkable archive of instruments.

Greco and Helyard ends their HIP Schubert trilogy in fine style.

Pinchgut's 25th birthday program lines up three comedies and one of Artistic Director Erin Helyard's favourite works of all time.

Caffeinated comic capers bring the buzz to this entertaining excursion into the lighter side of Baroque music.

It's not all doom and gloom in the UK arts sector. The Buxton International Festival proves that artistic ambition and accessibility can go hand in hand.

Australian baritone David Greco tells us why it’s so satisfying to have released historically informed recordings of Schubert’s three major song cycles.

Erin Helyard on making his UK debut as conductor with Handel’s love-and-sorcery drama Amadigi di Gaula at the Buxton International Festival.

This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.

Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.

The University of Sydney recently acquired a collection of first editions of works by Mozart and Beethoven. Why are they so important?

A peek into the soundscape of 18th-century Germany through works by important composers and the rare instruments of the Orchestra of the Antipodes.

A novel approach to completing Vivaldi's unfinished opera pays dividends.