Erin Helyard investigates the 18th-century London music market and the crucial importance of women.

This concert, celebrating the music of Vivaldi, was excellent in every regard, with soprano Miriam Allan holding the audience in the palm of her hand.

Principal Violin Helena Rathbone discusses the ACO's current concert, which features a Bach family reunion.

Despite a few odd choices in the program, this concert showed that there is always more to discover about the Bachs – even for an ensemble as steeped in them as the ACO.

Pinchgut’s sumptuous production of Orontea – with its quartet of feisty females – is sparkling entertainment.

The piano leads the field with front runners Mitsuko Uchida and Leif Ove Andsnes, but first an auspicious start to a brand new Mahler cycle.

Leading Australian pianist Stephanie McCallum explains why she fell for the pianos from the workshop of French instrument maker Sébastien Érard.

A round-up of our recent news reports.

The first TCMF since 2019 features some of Australia's best musicians performing masterpieces by the likes of JS Bach and Liszt, as well as a decent helping of contemporary works.

The ethereally voiced Australian countertenor Max Riebl, described "as a prince of a human being", has died of cancer, aged 30.

McCallum and Helyard bring sparkling French duets to life on 1853 Erard piano.

Anna Dowsley fell asleep when she was taken to see her first opera but she still decided to train as a singer. Clive Paget talks to the Australian mezzo-soprano whose European career is taking off.