Dietrich Buxtehude's consideration of the body of Christ upon the cross is brilliantly performed by Pinchgut's gilt-edged ensemble.

Cameron Lam continues his instrument-focused series in this month’s Aussie Art Music playlist, with a spotlight on the piano.

This production of Charpentier’s Baroque opera is a marvel, thanks to meticulous research, top-notch performances and ingenious interpretation.

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Erin Helyard investigates the 18th-century London music market and the crucial importance of women.

This concert, celebrating the music of Vivaldi, was excellent in every regard, with soprano Miriam Allan holding the audience in the palm of her hand.

Principal Violin Helena Rathbone discusses the ACO's current concert, which features a Bach family reunion.

Despite a few odd choices in the program, this concert showed that there is always more to discover about the Bachs – even for an ensemble as steeped in them as the ACO.

Pinchgut’s sumptuous production of Orontea – with its quartet of feisty females – is sparkling entertainment.

The piano leads the field with front runners Mitsuko Uchida and Leif Ove Andsnes, but first an auspicious start to a brand new Mahler cycle.

Leading Australian pianist Stephanie McCallum explains why she fell for the pianos from the workshop of French instrument maker Sébastien Érard.

A round-up of our recent news reports.