In May, Harry Connick Jr. premiered a symphony at Carnegie Hall with Orchestra Victoria. He tells us why it was his most significant performance.

A spectacular Dracula satisfies our yearnings for the darkest stories.

Long recognised as one of the country’s most versatile pit orchestras, Orchestra Victoria is now a storyteller in its own right.

This sparkling revival of Cinderella farewells David McAllister with warmth, wit and seasonal magic.

Musical theatre stars Amy Manford and Josh Piterman sing a feast of favourites marred by sound issues.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.

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Jessica Gethin is fast becoming one of Australia’s busiest conductors. She shares her mission to inspire others to be as curious about music as she is.

Big reads, in-depth analysis of Limelight's Artists of the Year vote, and everything you need to stay on top of the classical music and performing arts scene.

Big reads, in-depth analysis of Limelight's Artists of the Year vote, and everything you need to stay on top of the classical music and performing arts scene.

Japanese pianist Makoto Ozone's performance was transformative, bringing new vigour to George Gershwin’s classic.

Recently appointed Artistic Advisor Jessica Gethin is keen to show audiences what Orchestra Victoria can do on stage as well as beneath it.