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As she prepares to perform in her own adaptation of The Shiralee for Sydney Theatre Company, Kate Mulvany discusses her life and work.

From synaesthesia to superstar pianists, bold theatre to groundbreaking dance – October’s Limelight is packed with must-hear, must-see artistry.

From synaesthesia to superstar pianists, bold theatre to groundbreaking dance – October’s Limelight is packed with must-hear, must-see artistry.

Kate Mulvany's semi-autobiographical drama convincingly depicts a family haunted by the echoes of war.

Young actors are at the heart of this haunting modern take on an ancient tragedy.

Lucy Clements has been a prime mover of new Australian work. How does she approach a Purcell masterpiece over 300 years old?

Perth’s Black Swan offers "ways to see the world through the lives of others" in a season that kicks off poolside.

Queensland Theatre's 2024 begins with a new staging of a pre-war classic and ends with a new Australian musical.

Anne-Louise Sarks discusses her path to directing, her special rapport with Kate Mulvany, and Sarah Bernhardt’s bravado.

Anne-Louise Sarks says her inaugural MTC season offers new perspectives and tells familiar stories in new ways in order to open up conversation and attract new audiences.

Those looking for a striking portrayal of Elizabeth’s much documented travails will find great rewards in Kate Mulvany’s Mary Stuart.