Review: Don Giovanni (Melbourne Opera)
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
After living in the UK for two decades, Helena Dix is back. And now there's "no more sitting like a puppy dog at an opera casting director’s door . . ."
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
What do our opera and dance companies have on offer in the year ahead?
A new production of Saint-Saëns’s Old Testament tale respects tradition while refreshing it with sophisticated minimalist design.
Deborah Humble tells us about her role debut as Delilah and why mezzos get stuck in "witches, bitches and britches" roles.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The little company that could presents opera’s longest work in a vast space that proves surprisingly perfect.
We talk to director Suzanne Chaundy about creating "an absolute opera event" in an iconic UNESCO Heritage-listed venue.
Melbourne's UNESCO-listed Exhibition Building to host an ambitious, all-Australian staging of Wagner's "miracle of complex engineering".
What do our opera and dance companies have on offer in the year ahead?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Director Gary Abrahams and a talented cast give this well worn Puccini opera an early 20th century Melbourne refresh.