Review: Il Trovatore (Opera Australia)
A powerful new production of Verdi’s drama of revenge is crowned by stirring music-making.
A powerful new production of Verdi’s drama of revenge is crowned by stirring music-making.
The Wedding Singer swept the musical theatre categories as the Green Room Awards recognised productions throughout the last two years.
A round-up of our recent news reports.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The marriage of music and breathtaking landscape proved a magical experience for audiences, and for the musicians and singers.
OA CEO Fiona Allan discusses the 2021 Annual Report, the challenges ahead, the new warehouse and regional opera "outpost" the company is building, and "the different beast" that OA will become from 2024.
An enjoyable confection of songs and visual treats with a story tweaked for the 21st century.
Great Italian bass Ferruccio Furlanetto shines in this concert performance of a Faustian obscurity by Arrigo Boito.
As Opera Australia searches for a new Artistic Director, Peter Tregear argues that it’s time for the company to find a fresh artistic vision predicated on the belief that opera has something important to offer the public.
This month’s concert highlights from ABC Classic, independent radio and streaming.
Jonas Kaufmann discusses playing Lohengrin, losing himself in a part, and how to sing pianissimo for sustained periods.
The stunning Jonas Kaufmann and his gifted colleagues rise above a problematic production.
This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.