A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

British director Jo Davies discusses the things she's keen to address at OA, and explains why she doesn't think it's a problem that this is her first AD role.

In line with its ongoing commitment to the arts, BMW will partner with Opera Australia to present its large-scale BMW Opera for All event in Melbourne.

Going to Cockatoo Island is a fun part of the experience, but despite solid performances, the production doesn't entirely live up to the industrial setting.

This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.

The Opera Australia CEO explains how she moved from playing the clarinet to arts management, and how she was once a whiz on the WX7, a Yamaha MIDI controller.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.

Opera Australia has earned its stripes as one of the world’s leading presenters of Italian opera – a legacy outgoing Artistic Director Lyndon Terracini can fully take pride in.

"Employ more women," says Opera Australia CEO Fiona Allan, one of six women, including Simone Young and Deborah Cheetham, interviewed in a new documentary by Miriam Gordon-Stewart.

Guy Noble raises an eyebrow at the Sydney Opera House’s “spittle-catchers”. On another note, he is proud to be staging a fundraiser in memory of much-loved soprano Taryn Fiebig.