Every aspect of The Cage Project expresses a deep sense of collaboration and mutual trust between its performers.

Björk’s Cornucopia concert is true to the imagery the title evokes; an abundant feast of vocal artistry, musicianship, visual design and performance art.

Hide The Dog is an unexpected coming-of-age story, a reminder to stay in touch with one’s culture and to listen to others.

The company’s outdoor offering for 2023 is its boldest move yet, a well-judged production of Bizet’s Carmen at the WACA stadium.

Equations of a Falling Body is a fine addition to Laura Boynes’ evolving oeuvre and a promise of further gems to come.

Ahead of a Sydney Festival performance, Matthias Schack-Arnott talks about opening up John Cage’s Sonatas and Interludes.

The latest arts appointments and departures.

David Harrington, the founder of the Kronos Quartet, discusses the ensemble's history, ongoing collaborations, social conscience and final tour of Australia.

Cosmology and composition collide in Music of the Spheres, an unusual musical journey through time and space, including extracts from Richard Mills' new opera Galileo.

Anna Reece has been announced as Perth Festival’s next Artistic Director, succeeding Iain Grandage.

What do the festivals have on offer in the year ahead?

Noongar culture, language and stories are now firmly embedded in the programming at Perth Festival. We talk to Noongar artists about this blossoming relationship.