No dead wood in this sharper, funnier and even more unruly reprise of the smash-hit musical about a frontier square peg and her search for love.

This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.

A Jane Austen story reimagined, an Aaron Sorkin classic and a whip-crackin' musical to feature in QT's 2025 campaign.

The Producers, Pirates of Penzance for a cast of four, a Phar Lap musical, a new show for Nancye Hayes; the Hayes promises a wild ride in 2025.

This macabre, darkly comic, strangely delightful show is a ride worth taking.

The first full season from Richard Carroll and Victoria Falconer includes Laura Murphy's new musical, a chamber opera and a cabaret festival.

This mad little musical whodunit is delicious, bonkers and extremely funny.

The Pavilion Performing Arts Centre promises to revitalise the Shire's artistic community, with its opening program hosting renowned Australian productions and newly commissioned local works.

This refreshing take on the 1971 musical retains the show's exuberant, improvisational feel but gives it a more contemporary vibe.

This is a silly play for the silly season, tipsily leaning to the left. If you go with the good intention to have good time, there's a very good chance you will. 

Virginia Gay and Richard Carroll discuss the joys and oddities of pantomime and staging a new play that celebrates panto traditions.

Clare Watson’s final season as Artistic Director of Black Swan is built around kin, connection and family, with a strong local flavour across its seven productions.