Listen to the Australian Art Music playlist: April 2023
Cameron Lam goes big and bold in this month's Australian Art Music playlist, exploring major works for wind symphony, orchestra, big band, and the stage.
Cameron Lam goes big and bold in this month's Australian Art Music playlist, exploring major works for wind symphony, orchestra, big band, and the stage.
Fabian Russell's Orchestra Project continues to provide young musicians with rare opportunities to play the mightiest of classical masterworks, writes Miranda Ilchef.
Transparent and transporting, this Covid-postponed Sydney Chamber Choir showcase of sacred music was well worth the wait.
The addition of three new female busts to the collection in the Sydney Conservatorium of Music library seeks to redress age-old inequities.
Ahead of his first dates in Australia as a solo composer-pianist, Stephan Moccio unpacks the songs and the music that moves him most.
Two world premieres among works by five composers celebrating Composing Women, Sydney Con’s push for a truly equal music.
Composer and saxophonist Brenda Gifford has been announced as the recipient of the Merlyn Myer Music Commission.
It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.
Frank Martin's mighty Mass for Double Choir will require all the resources of Sydney Chamber Choir – and then some, writes Sam Allchurch.
First Nations soprano, composer and educator Deborah Cheetham Fraillon announced as the inaugural Elizabeth Todd Chair of Vocal Studies.
Sydney violinist Harry Ward has secured a position among the first violins of the Berlin Philharmonic Orchestra.
Fascinated by complex musical ideas, Jack Symonds never wants to make work that resembles anything else – whether he’s programming it or writing it himself.
Announcing a new postgraduate program for 2023, Words, Text, Voices, Music, the Sydney Conservatorium of Music will halt its successful Composing Women program for the foreseeable future.