Australian Chamber Orchestra launches 2024 season
ACO feels like it’s in a good place, Richard Tognetti tells Limelight, ahead of a year encompassing music, dance and film.
ACO feels like it’s in a good place, Richard Tognetti tells Limelight, ahead of a year encompassing music, dance and film.
Ahead of the Sydney premiere of her latest show, Cry Baby, choreographer Kimberley Parkin shares the music that is rocking her world.
The latest arts appointments and departures.
The Artistic Director of Sydney Dance Company recalls his childhood dislike of flamenco, his discovery of classical music and his desire to use live musicians as often as he can.
Featuring Frances Rings and Alma Moodie, Ross Edwards and Raf Bonachela, this month's magazine is a jam-packed winter warmer.
Canadian company Kidd Pivot's Revisor melds dance and text in an inspired version of Gogol’s The Government Inspector.
An eclectic trio of contemporary dance works, Ascent is crowned by the return of Antony Hamilton’s exhilarating Forever & Ever.
The Australian Ballet brings its 1973 film Don Quixote to life in this vibrant rendering of one of ballet’s much-loved classics.
A choreographer, Marina Mascarell is accustomed to have others do the moving for her. But what, asks Limelight, are the pieces of music that move her?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
What do our opera and dance companies have on offer in the year ahead?
Featuring an immersive soundscape by Nick Wales, and a new Sulman Award-winning accommodation wing, Arthur Boyd’s homestead invites everyone to rediscover nature’s beauty.
As the groundbreaking Japanese piano manufacturer celebrates its 95th anniversary, we look back at founder Koichi Kawai's legacy and the company's commitment to excellence, accessibility and patronage.