Review: Asko|Schönberg in Concert with Ensemble Offspring (Sydney Festival)
A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.
A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.
Amadeus, Peter Shaffer’s best-known play, rings loudly and clearly in this new production that kicks off the Sydney Opera House’s 50th year. Loud and clear, but hollow.
Take a look back at the 12 biggest news stories of the past year – the good news, the sad news and the stories that rocked the boat.
Adriana Lecouvreur remains a great testament to the sacrifices artists make for their love of the theatre. We delve into its upcoming season at the Sydney Opera House.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Eight international and Australian artists, including The Gesualdo Six, the Brodsky Quartet, Andrea Lam and James Morley, will perform in the intimate SOH space.
The Opera Australia CEO explains how she moved from playing the clarinet to arts management, and how she was once a whiz on the WX7, a Yamaha MIDI controller.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.
Guy Noble raises an eyebrow at the Sydney Opera House’s “spittle-catchers”. On another note, he is proud to be staging a fundraiser in memory of much-loved soprano Taryn Fiebig.
Dancer and choreographer Angela Goh has created a beautiful new film for the Sydney Opera House, using the decommissioned acoustic reflectors from the Concert Hall.
Enter the SOH Studio, transformed into an opulent hotel lobby where no one is quite what they seem, and you will be immersed in a delicious escape from reality.
Features include a look at Amanda Lee Falkenberg's musical space odyssey The Moons Symphony, the artists restoring the oratorio's theatrical setting, why Fidelio invites tinkering, and an interview with lawyer-turned-playwright Suzie Miller.