Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.

Guy Noble raises an eyebrow at the Sydney Opera House’s “spittle-catchers”. On another note, he is proud to be staging a fundraiser in memory of much-loved soprano Taryn Fiebig.

Dancer and choreographer Angela Goh has created a beautiful new film for the Sydney Opera House, using the decommissioned acoustic reflectors from the Concert Hall.

Enter the SOH Studio, transformed into an opulent hotel lobby where no one is quite what they seem, and you will be immersed in a delicious escape from reality.

Features include a look at Amanda Lee Falkenberg's musical space odyssey The Moons Symphony, the artists restoring the oratorio's theatrical setting, why Fidelio invites tinkering, and an interview with lawyer-turned-playwright Suzie Miller.

This visceral, surreal, high-tech drama is often compelling but the message never quite coheres.

If you love the musicals of Boublil and Schönberg, this concert is a real treat, with an impressive lineup of soloists nailing the songs and sharing stories about their connections to the roles.

The Sydney Opera House has announced the first lineup of events in its year-long anniversary program, with outdoor concerts (some of them free) and a classical festival among the broad mix.

Musical theatre star Michael Ball discusses performing in Do You Hear the People Sing?, his new album with Alfie Boe, and his debut novel.

Bell Shakespeare celebrates the 400th anniversary of The Bard’s First Folio with contemporary productions of Macbeth and Twelfth Night, with music by Sarah Blasko, as well as an intimate production of Romeo and Juliet.

Eric Whitacre talks about The Sacred Veil, written with poet Charles Anthony Silvestri, who lost his wife to ovarian cancer, and how the internationally acclaimed work has helped others grieve.

The Australian soprano's long-delayed home tour was worth the wait.