A round-up of our recent news reports.

SSO signs off a momentous season with a boldly British blast from the past, along with a new work by Australian composer Paul Stanhope.

Craig Whitehead, who has been working as interim CEO at SSO, will now step into the role permanently.

Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.

Siobhan Stagg’s career is skyrocketing. The Australian soprano speaks with us about how she ended up in Berlin, and why her focus is now on the bigger picture.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.

As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.

With film scores including Babe, Paper Planes and Blueback, the composer will be recognised at the 2022 Screen Music Awards, to be held later this month.

We explore the history of Fidelio, and talk to Simone Young and First Nations writer Tyson Yunkaporta about the Sydney Symphony Orchestra’s new concert version.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

As polling continues, composers Elena Kats-Chernin and Ella Macens reflect on being nominated for next month's Sydney Symphony Orchestra People’s Choice Concerts.