"It is what I burn for, it is what I breathe." A new documentary, Knowing the Score, brings the audience up to date with conductor Simone Young.

The Sydney Symphony Orchestra inaugurated its 2023 season and covered itself in glory, revelling in the Concert Hall’s enhanced acoustics.

Inspired by a collection of magnificent tapestries, Deborah Cheetham's Woven Song benefits from the first-hand communication of its composer.

The whole world is talking about TÁR. It’s time for Australian orchestras to join the conversation on gender, the canon and conducting.

Limelight's hard-working team published over 750 reviews in 2022. But what were the critiques that really clicked with our readers?

What do our opera and dance companies have on offer in the year ahead?

What do our orchestras and choirs have on offer in the year ahead?

A round-up of our recent news reports.

SSO signs off a momentous season with a boldly British blast from the past, along with a new work by Australian composer Paul Stanhope.

Craig Whitehead, who has been working as interim CEO at SSO, will now step into the role permanently.

Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.

Siobhan Stagg’s career is skyrocketing. The Australian soprano speaks with us about how she ended up in Berlin, and why her focus is now on the bigger picture.