Editor’s Letter: The Programme’s the thing
Where did Ludwig go wrong? Perhaps the programming was to blame.
Where did Ludwig go wrong? Perhaps the programming was to blame.
How does an artist commemorate the brutality of war? Composer James Ledger shares his thoughts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Yan Pascal Tortelier’s charming pairing of Mozart and Franck. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The 26-year-old Sydneysider was selected for the position following a rigorous audition process. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The mass participation, multi-location event will involve thousands of musicians around the world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In an exclusive interview the Dutch virtuoso talks about Brahms, her Stradivarius and her musical family.
A celebration of the art of orchestration through music by Ravel, Canteloube and Strauss. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Jansen's Brahms astonishes, but Sibelius struggles to compare.
Izn the David Robertson era at the SSO, anything can (and frequently does) happen.
A stimulating and challenging program showed the orchestra on top form.
Tetzlaff’s Herculean Widmann concerto helps Robertson look forward and back. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Schumann symphonies pleasantly surprise but Mendelssohn steals the show. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The St Louis Symphony, led by SSO’s chief conductor wins Best Orchestral Performance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in