Review: Dracula (Sydney Theatre Company)
Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.
Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
Stolen is a critical part of Australia’s theatre canon, one that does not pander or provoke, but simply tells a collective truth.
Sydney Theatre Company names Joanna Murray-Smith as its Patrick White Fellow and Wendy Mocke the winner of the Playwrights' Award.
A rare autoimmune condition took Robinson away from the stage for 10 years, prior to a memorable comeback at Belvoir.
Theatre and opera designer Charles Davis heads to Europe to participate in workshops and creative labs.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
The President is among the most accessible of Thomas Bernhard's plays, but don't expect an easy ride.
An expertly calibrated staging of Samuel D. Hunter's play that hooks you from the get-go and gently reels you in.
For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.
Angus Cerini’s latest is a jewel of a play: sparely written, expertly polished and, for its 90 minutes, completely engrossing.