A round-up of our recent news reports.

The President is among the most accessible of Thomas Bernhard's plays, but don't expect an easy ride.

An expertly calibrated staging of Samuel D. Hunter's play that hooks you from the get-go and gently reels you in.

For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.

Angus Cerini’s latest is a jewel of a play: sparely written, expertly polished and, for its 90 minutes, completely engrossing.

In the wake of his international success with The Picture of Dorian Gray, Kip Williams leaves the STC after 13 years with the company.

Limelight talks to director Sarah Giles about the return of a COVID-cancelled comedy that speaks to the moment more loudly than before.

A fascinating relic of the counterculture era, when theatre, rock music and poetry were colliding.

We're seeing more disability on our stages and screens than a decade ago, but there is still plenty to be done.

The Adelaide-born actress has been nominated for her 26-character role in Sydney Theatre Company's The Picture of Dorian Gray.

A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.

A round-up of our recent news reports.