Matthew Hindson on the pleasures of writing for sax
In his new concerto for Amy Dickson, Matthew Hindson harnesses the incredible flexibility of the soprano saxophone.
In his new concerto for Amy Dickson, Matthew Hindson harnesses the incredible flexibility of the soprano saxophone.
Cellist Narek Hakhnazaryan's encore proves the highlight in this concert by the TSO.
An hour of peace and community with an otherworldly feel.
A teenage Clara Wieck shows her peers just how it’s done.
One of classical music’s famous failures, Beethoven’s Violin Concerto tanked at its premiere in 1806. What’s less well-known is how the notoriously difficult composer was persuaded to recast it for piano.
Wide-ranging program showcases orchestra's variety and promise of a violinist.
An impassioned performance with fervent stage presence from Dutch violinist Simone Lamsma.
Benjamin Beilman, Giordano Bellincampi and the TSO deliver a truly outstanding evening of music.
Ahead of his trip to Tasmania, the young American virtuoso extols the joys of Tchaikovsky’s Concerto and defends it from the criticisms of its first dedicatee, Leopold Auer, and the venomous Eduard Hanslick.
WASO’s former Assistant Conductor returns to lead the orchestra’s season-opener after a whirlwind few years.
These concerts are a celebration of what musicians have to offer the world.
Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.
Four years after filling in last-minute for Jaap van Zweden, the American conductor tells us about an early career that’s seen her gravitate from playing under Bernard Haitink to taking over his dressing room.