The British pianist is touring Australia, has two CDs on release and has written his first novel. As well as discussing the priesthood, he talks to Limelight about dreams, Debussy, Rachmaninov and rentboys.

In his new concerto for two pianos inspired by James Gleeson’s surrealist art, Carl Vine asks what’s to be done with two heroes?

Mendelssohn’s incidental music to A Midsummer Night’s Dream has enchanted audiences from its first performance. Howard Shelley speaks to Angus McPherson about how ‘the Dream’ was born.

Our next issue includes interviews with AWO guest maestro Riccardo Muti, Marin Alsop on conducting Lenny and Simon Russell Beale on The Death of Stalin.

The long-serving Managing Director of the Tasmanian Symphony Orchestra will step down at the end of 2018 after 17 years at the helm.

The “connoisseur’s pianist” talks about the vitality of Beethoven’s music and the concerto that launched the Brazilian pianist’s career at age 12.

Piano concertos rescued from obscurity shine in Shelley’s hands.

Baltic is definitely beautiful, but is it all-too-easy listening?

An outstanding Vaughan Williams from Emma McGrath and the TSO to bid farewell to the 2017 season.

New research suggests physical measures and sound screens do little to protect musicians’ hearing.

With the MEAA conducting a survey into sexual harassment in Australian theatre, Limelight asked the orchestras about the issue.

With Romeo and Juliet at its heart, a Shakespearean theme weaves through the orchestra’s 70th anniversary season.