The German-born conductor will take up the new position with the Tasmanian Symphony Orchestra in January 2018.

It’s often been said that the Tasmanian Symphony Orchestra is one of Australia’s best kept secrets. This nimble outfit tackles a vast range of repertoire with the greatest ease. While Viennese waltzes might not be seen as the height of musical sophistication, they are deceptively challenging, and when performed well can be the perfect antidote to a miserable mood. While this compilation headlines Johann Strauss II, it also features equally charming selections from Josef Strauss, Franz von Suppé and Franz Lehár to round out the collection. The album is peppered with items that feature soprano Lorina Gore, who is in her element throughout. A particular highlight is the Lehár item, Giuditta’s Meine lippen, sie küssen so heiß, where she showcases the lovely colour in the lower depths of voice. The Tasmanian orchestra is in fine form and conductor Marko Letonja demonstrates his versatility throughout, choosing careful tempo relationships that allow these delicate waltzes to truly sing. The wistful and elegant opening to the work Seid umschlungen, Millionen! (Be embraced, Ye Millions!) is the hidden gem at the heart of this album. Johann Strauss II dedicated it to his friend Brahms, and it’s an example of the complex… Continue reading Get…

Bowing out after the upcoming Bruckner concert, Clark looks back on his time with the Tasmanian Symphony Orchestra.

Young musicians of ANAM join with the TSO in an epic performance of Stravinsky's powerful ritual.

Orchestras around the country celebrate the Year of the Rooster as Tan Dun tours Australia.

The Swiss-Australian conductor will work with the Tasmanian and West Australian Symphony Orchestras in 2017.

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Pin back your ears as six tale-tellers from Australian orchestras share some rippers from the dim and distant past.

The Slovenian maestro will remain as Chief Conductor of the Tasmanian Symphony Orchestra for its 70th anniversary.

A dizzying exploration into love and longing with world-class voices.

She didn’t buy the dramatic repertoire for many years, but these days many consider the Wagnerian soprano of our time. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

All spaced out at the orchestra when TSO and AYO play The Planets.