Review: Undead (Jessica O’Donoghue, Jack Symonds)
Survey of new Aussie works shows opera is alive and kicking.
Survey of new Aussie works shows opera is alive and kicking.
From Edwardian splendour to 21st-century edginess, Tetzlaff conquers it all.
Adès suites: alternately shocking, magic, and a hell of a lot of fun.
The music of Debussy and Komitas speaks to our own troubled times.
It's two in a row for Brett Dean, who picked up an Ivor for a chamber work last year.
Composers Brett Dean and Newton Armstrong in the running for the UK's prestigious music awards.
A memorable, unintentionally site-specific concert serves as an auspicious start to ASQ’s latest national tour.
Australians Siobhan Stagg, Timothy Young and Alexander Gavrylyuk join international giants Paul Lewis and Anthony Marwood for the rebranding of the venue's Great Performers series.
Australian Brett Dean has received an award for his song cycle Madame ma bonne soeur, with Thomas Adès, Judith Weir and Rebecca Saunders also among the winners.
The beautiful and shocking secrets of our rivers are conveyed through a spellbinding marriage of film and music.
Double vision in Ólafsson’s spellbinding recital mirrored by two pianos.
Throughout the second half of the year, UKARIA will draw some of the finest Australian and international musicians to the Adelaide Hills.
Over the Easter weekend in April, Bermagui will host some of Australia’s finest musicians from Pinchgut Opera to the Acacia Quartet.