Review: Il trovatore (Royal Opera House, Covent Garden)
This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year.
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