Sydney Youth Orchestras alumnus now Berlin Phil player Harry Ward flies in to inspire a new generation of players with eyes on an international career.

"A competition at this level is a terrifying, beautiful beast," says Charlotte Miles, who, with Benett Tsai, will represent Australia in the prestigious event.

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

The Australian Festival of Chamber Music adds South African-born bassist-conductor Leon Bosch to its roster of international talent.

Equally at home on stage and screen, Bayly built a reputation for intelligence, warmth and formidable presence.

Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.

A stirring evening of bardic entertainment performed in a historic library as evocative as it is beautiful.

Presented alongside Verdi’s AIDA, Romeo Castellucci's staging of Bartók’s Bluebeard’s Castle will be a keystone of the 2027 Adelaide Festival.

The UK national broadcaster drops the classical music columnist and presenter after Wang went public with a "derogatory" email.

British writer Sam Holcroft's satire reminds us that censorship seldom shows up wearing jackboots.

“Refreshing in its experiment with genre and form”: Emilie Collyer's Super wins the VPLA Drama Prize.

Sam Raimi's cabin-the-woods horror gets a spoofy musical theatre renovation. You get laundry time.