Review: Sister Elizabeth (Libby O’Donovan, Adelaide Fringe)
Libby O'Donovan has made a habit of delivering the goods; her new show continues the trend.
Libby O'Donovan has made a habit of delivering the goods; her new show continues the trend.
Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.
Bernie Dieter's Weimar-inspired variety night leaves its audience not just entertained but galvanised.
A Cinderella story satirically attacking the British class system.
What started as a novelty act as evolved into a highly sophisticated, analytical, one-woman marathon tour de force.
Fox is no longer the boy wonder but we can still marvel at his flying feet and showbiz stamina as he approaches middle age.
She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.
Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.
In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.
Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.
Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.
Hans throws himself the a raucous birthday party. Pass-the-parcel included.
Lisa’s musical personality is different to that of her mother Nina, but that remarkable flame is in safe hands.