Review: Bernadette Robinson – Divas (Adelaide Cabaret Festival)
What started as a novelty act as evolved into a highly sophisticated, analytical, one-woman marathon tour de force.
What started as a novelty act as evolved into a highly sophisticated, analytical, one-woman marathon tour de force.
Fox is no longer the boy wonder but we can still marvel at his flying feet and showbiz stamina as he approaches middle age.
She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.
Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.
In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.
Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.
Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.
Hans throws himself the a raucous birthday party. Pass-the-parcel included.
Lisa’s musical personality is different to that of her mother Nina, but that remarkable flame is in safe hands.
A Life in Notes is Patti LuPone unplugged and intimate, still pushing the envelope and taking risks.
Kate Miller-Heidke's always surprising Catching Diamonds is a tonic in a music world that has become too predictable.
Minus some of the festival's marquee acts, this Gala was a showcase of hidden gems and next-generation stars.
The Force was with Adelaide Wind Orchestra for its survey of the movie maestro's greatest music.