Review: Paul Hindemith: Symphony ‘Mathis der Maler’, Nusch-Nuschi-Tanze & Sancta Susanna (Vienna Radio Symphony Orchestra, Marin Alsop)
A stunning juxtaposition of naughty and nice Hindemith.
Phillip Scott is a long-time reviewer for Limelight and US music journal Fanfare. He has written four novels and the scores of several children’s shows for Monkey Baa Theatre Company. He is best known for his work as performer, writer and Musical Director for The Wharf Revue.
A stunning juxtaposition of naughty and nice Hindemith.
A long-standing orchestra/conductor team at their peak.
Eloquence restores some landmarks in the history of recorded classical music.
A terrific mix of Americana, both known and unknown.
Ricci takes us back to an era when violinists were stars.
The English symphony is alive and well.
Two comprehensive collections of a conductor at the top of his game.
A fascinating program of rare Americana, stunningly played.
Clarinet stars in more discoveries from an overlooked composer.
After a hiatus in 2020, we once again asked our reviewers and readers to vote for the Australian and International Artists of the Year. We are thrilled to announce our 2021 winners.
What do we do with all the tangential stuff that colours how we experience music? Marie Kondo would know what to do with it.
Another monumental piano conquest by the intrepid Igor Levit.
Dupree is the star at Kapustin's vodka-infused cocktail hour.