Review: Handel: Concerti Grossi Op. 6 (Akademie für Alte Musik Berlin/Bernhard Forck)
German band brings pathos and panache to grand concertos.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
German band brings pathos and panache to grand concertos.
Australian guitar music from a master – how good is that?
Vespers in the afternoon prove a delightful spring treat.
Trio Zimmermann’s Bach proves a masterly conversation.
Pinchgut Opera triumphs in Monteverdi’s late masterpiece.
Opposites attract in scintillating recital of British piano rarities.
Power and passion as soloist and conductor trade places.
Alard amazes again in second volume of his complete Bach.
Power and passion from performers at the top of their game.
Elgar's "other" concerto receives a stunning performance.
Heinichen’s forgotten Roman blockbuster is a heady brew.
Beethoven and Bruckner in a night of dramatic contrasts.
A true marriage of minds results in an unforgettable concert.