Review: Beethoven: Sonatas for Piano & Violin Volume 1 (Chloë Hanslip, Danny Driver)
An auspicious beginning to a new complete Beethoven cycle.
April 23, 2018
Will Yeoman
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Articles by Will Yeoman
Review: Handel: Arminio (Armonia Atenea, Petrou)
Brilliant revival of a lesser known Handel masterpiece.
April 13, 2018
Review: Bach: Solo Cello Suites Volume Two (Slava Grigoryan)
Back to Bach for Slava and a luminous end to a lauded project.
April 6, 2018
Review: In an Italian Garden (Les Arts Florissants, William Christie)
Christie and Co cavort in a Garden of Earthy Delights.
March 16, 2018
Review: Ysäye (Ksenia Milas)
Milas passes the Ysäye test amid shows of technical heroism.
March 8, 2018
Review: Britten & Hindemith Violin Concertos (Arabella Steinbacher)
Poles apart 20th-century greats, fused by Steinbacher.
February 21, 2018
Review: Blow (Arcangelo, Jonathan Cohen)
Purcell’s teacher receives a worthy tribute from Arcangelo.
January 23, 2018
Review: Songs of Yesterday (Matt Withers)
A delicious serving of guitar favourites minus the cheese.
January 22, 2018
Review: The Alehouse Sessions (Barokksolistene/Eike)
An intoxicating recreation of a Cromwellian pub session.
November 27, 2017
Review: Reicha Rediscovered: Volume 1 (Ivan Ilić)
Rare 19th-century piano works in performances of rare beauty.
November 26, 2017
Review: Handel: Great Suites (Erin Helyard)
Erin Helyard’s superlative Handel certainly hits the musical sweet spot.
November 21, 2017
Going Dutch: Rembrandt and the Dutch golden age
One of the largest collections of Dutch masters to ever leave Amsterdam holds up a mirror to our own lives today.
November 13, 2017
Review: Machaut: Sovereign Beauty (The Orlando Consort)
The cult of courtly love revisited in exquisite performances.
November 3, 2017