Review: The Passinge Mesures (Mahan Esfahani)
Elizabethan age returns: A skilful, curious harpsichordist delivers another masterful recital.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Elizabethan age returns: A skilful, curious harpsichordist delivers another masterful recital.
Ilić uncovers Reicha’s romantic answer to the Well-Tempered Clavier.
A rare work of genius gets the performance it deserves.
Hapsburg goes HIP with a fascinating recital of rarities.
Terrific premiere recordings of new music for two guitars.
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Benjamin Alard embarks on a project of a lifetime.
First opera by a woman gets the brilliant revival it deserves.
A labour of love from one of our most respected tenors.
Fortune smiles on The Orlando Consort yet again.
Novel take on music of Baroque master yields new insights.
Kolesnikov takes aim at the French Baroque and hits the bullseye every time.
A masterclass in baroque vocal pyrotechnics from the best.