Review: Machaut: Fortune’s Child (The Orlando Consort)
Fortune smiles on The Orlando Consort yet again.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Fortune smiles on The Orlando Consort yet again.
Novel take on music of Baroque master yields new insights.
Kolesnikov takes aim at the French Baroque and hits the bullseye every time.
A masterclass in baroque vocal pyrotechnics from the best.
Handel’s flop is a winner in Pinchgut Opera’s hands.
Intimate and revelatory takes on Beethoven piano concertos.
Faust makes a musical pact with Bezuidenhout, with heavenly results.
Protean pianist proves he’s sure got rhythm – and then some.
A glittering performance from one of Australia's top sopranos, Emma Matthews.
From the Western Australian goldfields to an international concert, broadcasting and film career, pianist Eileen Joyce was a true original, as Will Yeoman discovers in a new book.
A fine debut of little-heard repertoire for the baroque cello.
An auspicious beginning to a new complete Beethoven cycle.
Brilliant revival of a lesser known Handel masterpiece.