One-act political satires by George Dreyfus and Ernst Krenek delivered in thrilling style with every detail of tone and colour writ large.

After 200 years, Joseph Bologne’s reputation is finally restored.

Ahead of his performances for Opera Australia, the world’s number one tenor Jonas Kaufmann talks about his highly anticipated role debut and upcoming season.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Danes complete their Prism project, Bychkov delivers a blistering Resurrection, outstanding Beethoven from Ohlsson in the mountains, and Piers Lane goes to town . . . again!

Australian soprano Jessica Harper was among international competition entrants who performed for prize money the organisers didn't have.

Jessica Pratt and Iván Ayón Rivas head a superb cast in Damiano Michieletto’s thrilling production of Offenbach’s last, greatest opera.

Spontini’s greatest hit gets the revelatory back-to-basics treatment.

A leading lady at Sadler's Wells for eight years, Margaret Nisbett was one of Australia's best-known singers in the 1960s and 1970s.

Lindy Hume’s new production of this early Mozart opera offers much to delight both eye and ear.

In the Awards’ 60th year, six young Australian artists win opportunities to work in some of the world's most esteemed opera houses.

This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year.