The world’s first Grammy-nominated mandolinist, Avi Avital, has gained the instrument its rightful place in concert halls and has also inspired a new generation of composers to write for this most modern of Baroque instruments.

The latest arts appointments and departures.

A round-up of our recent news reports.

With the MSO under Maestro Benjamin Northey, violinist Emily Sun gave a performance of Korngold's Violin Concerto that warrants recording, as does the orchestra's rendition of Hyde's Village Fair.

Ahead of his performances with the Sydney Symphony Orchestra in October, the acclaimed French pianist discusses all things Ravel: his perfectionism, the gap between what he wrote and what he could play, and his Piano Concerto in G.

The first in a series of four concerts, conducted by Douglas Boyd, illuminates the nature and significance of Beethoven’s nine symphonies.

Making his debut with the CSO, young conductor Sam Weller made an indelible stamp with a performance to be treasured.

Following its success last year, the $90,000 fund will support the creation of up to 15 new works from underrepresented voices.

Uzbek pianist Behzod Abduraimov shone in duet with the QSO in Rachmanimov’s Concerto No 2 for Piano and Orchestra, while ancient landscapes came to life in Lachlan Skipworth’s Hinterland.

Few surprises here in Yannick Nézet-Séguin’s frankly bland interpretations.

Music and neuroscience combine in a symphony of philosophical heft and power.

Ahead of his debut with the Sydney Symphony Orchestra, the brilliant violinist discusses the greatness of Brahms’ work, Joseph Joachim’s influence on it, and working with Donald Runnicles again.