An astonishingly good Dolly Parton dupe provides nearly all the style for a jukebox musical otherwise short on substance.

Chloé Charody brings her politically charged performance pieces to Melbourne for the first time. "I want to use my platform to amplify the voices the world wants to forget,” she tells Limelight.

With a different performer cold-reading every night, plus some video trickery, playwright Nassim Soleimanpour’s new show is enjoyably unsettling.

Marina Prior shines in a zany, emotional roller coaster with all the feels.

What would we do if all the rubbish we hurled into the world came back to bite us? A new show at La Boite confronts our uncertain future.

Rhoda Roberts’ monologue about her Olympic boxer cousin is also the story of the First Nations people’s fight for justice and respect.

“This year’s nominees reflect the extraordinary depth and diversity of talent working in production design across the country,” says APDG President Michael Scott-Mitchell.

Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.

This examination of First Nations masculinity is powerful in its complexity and unabashed vulnerability.

“Men don’t talk.” It’s a phrase we’ve heard so often, it’s practically gospel. A new stage production is challenging the trope.

David Harrower's powerful play depicts an arousal of dormant feelings that are uncomfortable for an audience to witness, let alone understand.

A dramatic depiction of a potential friendship breakup gives way to a very Gen-Z look at meme culture and micro-aggressions.