Sydney Chamber Choir’s Artistic Director is a devotee of German classical music. He digs deep into the work of Bach and his compatriots as he prepares for the Choir’s exploration of the German baroque.

With music performed by Elena Kats-Chernin, Sydney Philharmonia Choirs and Taiko drummers, choreographer Paulina Quinteros has fashioned a genre-defying display that deserves more than one viewing.

In his latest choral work, Christopher Bowen has drawn on Keating's famous Redfern Speech. He tells us why, and about the feedback he got from Daniel Barenboim.

This extraordinary program includes selections from the Changi Songbook, providing the right balance of light relief and ethereal beauty in contrast to the heavier themes explored.

The extraordinary Tallis Scholars return to Australia, bringing a glorious program of Renaissance music, composed for the Sistine Chapel.

Guy Noble raises an eyebrow at the Sydney Opera House’s “spittle-catchers”. On another note, he is proud to be staging a fundraiser in memory of much-loved soprano Taryn Fiebig.

The Australian War Memorial's musical artist in residence Chris Latham writes about the POW Requiem, which premieres on 29 October and includes nine songs from the Changi Songbook.

The Nielson Foundation, UKARIA Founder Ulrike Klein and Biennale of Sydney CEO Barbara Moore are among those recognised for their philanthropic support of Australian theatre, music and the visual arts.

His recording of Schubert's Ave Maria was used on the crime drama Hidden Assets. Now the Canberra-born rising star has released his first classical album, Primero. He's also recorded a version of Lady Gaga's Shallow.

In this concert, featuring a world premiere by Vaughan McAlley, the expertise of the singers and their director was let down by the poor acoustic of the venue.

Six leading Australian composers have been named as finalists for this year's Paul Lowin Orchestral and Song Cycle Prizes.

Owain Park and his charges return with another cracking program and performance.