Sydney Festival suspends funding from international governments
Following controversy and calls for a boycott in January, the Sydney Festival has released the findings of an independent review into partnerships and sponsorship.
Following controversy and calls for a boycott in January, the Sydney Festival has released the findings of an independent review into partnerships and sponsorship.
The Sydney Opera House has announced the first lineup of events in its year-long anniversary program, with outdoor concerts (some of them free) and a classical festival among the broad mix.
Niquet’s ‘super-size me’ Handel pays handsome dividends.
A newly formed Artistic Advisory Committee will be chaired by Paul Stanhope, with guest directors engaged in 2023 as Artistic Director Antony Pitts steps aside.
AD Lyn Williams will shortly be meeting applicants via Zoom for Gondwana Choirs in 2023. She expresses her excitement at the programs in store, including collaborations with Melbourne Symphony Orchestra and New Zealand Youth Choir.
Celebrating 70 years of music-making, the program featured two world premieres by composers Ella Macens and Michael Dooley celebrating the art of singing and Canberra's natural diversity.
Eric Whitacre's writing for voice is deft, while the words are unremittingly touching in this moving piece about love, death, anger and grief.
As he prepares to tour Australia, Joseph Calleja explains how singing is his superpower, why he no longer goes spearfishing, and why Andrea Bocelli deserves special praise.
Inside an extraordinary building in Chippendale, one of Sydney’s most exciting new spaces is taking wing.
Inspired by an icy trek through Europe's largest glacier, composer Morgan Hickinbotham will transform an existing experimental soundscape into a performance for a vocal ensemble during his residency.
In the spectacular surrounds of the WA Museum Boola Bardip, Voyces’ second concert of the year explored the influence of time on choral music.
Following its success last year, the $90,000 fund will support the creation of up to 15 new works from underrepresented voices.
This concert, celebrating the music of Vivaldi, was excellent in every regard, with soprano Miriam Allan holding the audience in the palm of her hand.