Perth is hosting Australia's first chamber festival devoted to music by women, with much of it being aired for the first time. But the real test, argues musicologist Stacy Olive Jarvis, lies in whether anyone performs it again.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
It's exciting to "discover" lost music, writes composer Dulcie Holland's granddaughter Julie Ihle. But music is only truly found when it can be heard.
Ying Fang returns to Sydney to perform Canteloube’s evocative songs with the Sydney Symphony Orchestra.
Ahead of this week's memorial service for Michael Sollis, Thea Rossen pays tribute to a composer and musician whose creativity continues to inspire.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
Arts Centre Melbourne reopens the Ian Potter State Theatre this month. It’s just one of a number of new and revitalised venues around the country.
Breandáin O’Shea reports from this year’s Musikfest Berlin where three Australian composers featured in the 75th-anniversary program.
We examine Australia’s orchestral fellowship and mentorship programs to discover what they offer the participants.
Ahead of his Australian tour, British pianist Paul Lewis chats about Beethoven, Mozart and why he feels no need for a holiday.
A video of Chloe Kim’s ambitious project, Music for 50 Musicians, will receive its premiere screening in Sydney next month. She tells us about the work.
As he puts his finishing touches to his new Flute Concerto, Joe Chindamo tells Jansson J. Antmann how he has translated Dorothy Parker’s cynicism into music.
