Guest conductor Andrey Boreyko leads the SSO to the the heights of its already formidable game.

Not the most revelatory of stagings, perhaps, but it is a formidable display of theatrical skill and nerve.

A fresh, comedic take on the classical concert and a convincing argument for its continued relevance to new and younger audiences.

Stellar performances of salon and Belle Époque music from the erstwhile Beaux Arts Trio star.

This impressive contribution to the Utzon Music 2026 series makes a playful and mischievous splash.

The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.

French chansons, jazz sophistication and a touch of Parisian romance to charm a Sunday afternoon audience.

Different flavours of Spanish guitar ably demonstrated by a first-time duet despite sound issues.

San Francisco's Dylan Adler turns personal trauma into a winning mix of songs, laughs and self-discovery.

Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.

Reuben Kaye launches his directorship with a fleshy and high-energy celebration of cabaret's future.

Two contemporary dance productions remind us to position ourselves as part of, not separate to, nature.