Review: Afternoon Hours (Apeiron Baroque)
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
French chansons, jazz sophistication and a touch of Parisian romance to charm a Sunday afternoon audience.
Different flavours of Spanish guitar ably demonstrated by a first-time duet despite sound issues.
San Francisco's Dylan Adler turns personal trauma into a winning mix of songs, laughs and self-discovery.
Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.
Reuben Kaye launches his directorship with a fleshy and high-energy celebration of cabaret's future.
Two contemporary dance productions remind us to position ourselves as part of, not separate to, nature.
With composer-conductor Aaron Wyatt at the helm, the MSO presents an engaging program of works by First Nations composers.
This year's concert came complete with a star soloist in the form of Jenna Smith, a satisfying musical arc – and a touch of déjà vu.
The English tenor reveals his true colours and it’s a glorious palette to behold.
Set entirely within a locker room, this world premiere work is an impressive feat of independent theatre making.
From submerged meditations to turbulent storms, The Oracle is contemporary music at its most evocative.
An impressively enigmatic recital from a very individual pianist.