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Orchestral
Live Review

Review: ELDEN RING Symphonic Adventure (Sydney Symphony Orchestra)

The SSO and Sydney Philharmonia Choirs direct their combined sonic force toward an underexplored genre of music.

March 13, 2026
Theatre
Live Review

Review: Julius Caesar (Bell Shakespeare)

A stylish, fast-moving Julius Caesar that blinks at the assassination but nails the play’s ethical dilemmas.

March 13, 2026
Theatre
Live Review

Review: Monster (Tiny Dog Productions & KXT on Broadway)

Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?

March 13, 2026
Theatre
Live Review

Review: Antigone (La Boite Theatre)

Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.

March 13, 2026
Chamber, Classical Music
Live Review

Review: Sergej Krylov + Konstantin Shamray (Live at Yours)

Beginning with Krylov alone on a balcony, this is a spellbinding performance throughout.

March 12, 2026
Theatre
Live Review

Review: Fair Play (Lost Thought & Old Fitzroy Theatre)

Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.

March 11, 2026
Chamber, Classical Music
Live Review

Review: The Mendelssohns (Ensemble Q)

"Sisters are doing it for themselves" on International Women’s Day with Ensemble Q’s breathtaking performance of Fanny Mendelssohn’s String Quartet in E flat major.

March 10, 2026
Jazz, World
Live Review

Review: Jazz at WOMADelaide 2026

Braving the heat, Andra Jackson tuned into the jazz component of the annual world music festival's 2026 program.

March 10, 2026
Chamber, Classical Music
Live Review

Review: Mozart’s Spring (Australian Haydn Ensemble)

Australian Haydn Ensemble frames some picture-perfect quartets as old Colonials watch on.

March 10, 2026
Classical Music, Vocal & Choral
Live Review

Review: Gloria! (Sydney Philharmonia Choirs)

SPC's 2026 gets off to a steamy, Glorious three-pronged start.

March 10, 2026
Audiovisual, Experimental
Live Review

Review: Terminator 2 – Judgement Day (Hear My Eyes)

Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.

March 9, 2026
Classical Music
Live Review

Review: Simone Young Conducts Britten & Vaughan Williams (Sydney Symphony Orchestra)

Two English 20th-century masterpieces in dynamic performances.

March 9, 2026
Festivals, Theatre
Live Review

Review: Mary Said What She Said (Adelaide Festival)

Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.

March 9, 2026

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