Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?

Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.

Beginning with Krylov alone on a balcony, this is a spellbinding performance throughout.

Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.

"Sisters are doing it for themselves" on International Women’s Day with Ensemble Q’s breathtaking performance of Fanny Mendelssohn’s String Quartet in E flat major.

Braving the heat, Andra Jackson tuned into the jazz component of the annual world music festival's 2026 program.

Australian Haydn Ensemble frames some picture-perfect quartets as old Colonials watch on.

SPC's 2026 gets off to a steamy, Glorious three-pronged start.

Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.

Two English 20th-century masterpieces in dynamic performances.

Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.

A cautionary for any maximalist theatre-maker: more is more, until it’s too much.