Review: Beethoven’s Third Symphony (Víkingur Ólafsson, Sydney Symphony Orchestra)
Víkingur Ólafsson’s glittering Ravel from another dimension is backed by Runnicles at his most colourful and heroic.
Víkingur Ólafsson’s glittering Ravel from another dimension is backed by Runnicles at his most colourful and heroic.
The Melbourne Symphony Orchestra's 2024 season gets underway with a strong reading of Holst’s magnificent score.
An eclectic, affecting program of unaccompanied music inspired by centuries of romantic pain and loss.
Iceland's Víkingur Ólafsson takes us through Bach’s “solar system” of magic, beauty and breathtaking mathematics.
A billionaire takes on a supermarket shelf stacker in David Williamson's broad but entertaining satire on wealth and power.
Mind-blowing, once in a lifetime Gurrelieder show ticks all the boxes, and then some.
An impressive Prudence Sanders in various incarnations of historical and mythical heroines including Cleopatra, Armida and Euridice.
Laura Murphy's new Australian musical about theatre and zombies is hugely entertaining, with plenty of bite.
Belvoir's staging creates a powerful sense of community connectedness to the story and its characters. But there's more to do.
A historically informed reading, performed on historically informed instruments, this was the Emperor in magnificent old clothes.
A showcase of undeniable brilliance and beauty from Arooj Aftab, Pakistan's Grammy-winning superstar.
Although the influences are clear, Frame Narrative never feels derivative. It pushes further towards originality the further it goes on.
Stellar programming, indomitable performers and a world premiere – the Orange Chamber Music Festival put forward a blazing gala concert.