Review: A View from the Bridge (New Theatre)
New Theatre finds fresh urgency in Miller's masterful drama of desire, loyalty and betrayal.
New Theatre finds fresh urgency in Miller's masterful drama of desire, loyalty and betrayal.
Sheku Kanneh-Mason shines in Finnis’ atmospheric concerto before an electrifying Tchaikovsky finale.
Tarantino's cult heist film gets a clever Shakespearean makeover, including with retro-meets-Elizabethan live band.
Jordan Fein's hit UK production of this timeless classic delivers a perfectly balanced portrait of love, hope and resilience in the face of tragedy.
In a word: exquisite. A concert that demands and rewards your complete attention.
An assured revival reveals the enduring relevance of David Williamson’s 1989 story of ambition and compromise.
Truthful characters and good performances keep the audience connected to this high-concept piece about contemporary labour, sexuality and identity.
A compelling chamber Hamlet probes grief and trauma while leaving much behind.
Bayreuth invites Artificial Intelligence into the creative process. The result feels less like innovation than a dumping ground of overwhelming imagery.
Incoming and outgoing cohorts unite in a testament to the value of Opera Australia's Young Artist Program.
A 20-something Finn made his Australian debut with a national orchestra and closed out the evening as though he owned the place.
Danielle de Niese and the MSO keep the winter blues at bay with a showcase that aims straight for the heart.
Robin Tritschler's luminous Winterreise anchors an emotionally rich AFCM program of old and new.