Powerful physical performances but one of Australia's most skilled storytelling voices feels reduced to a whisper.

Visceral, sometimes disturbing connections with the city’s restless and nocturnal.

A perfect pairing of Alana Valentine’s words and the music of Vivaldi and his peers marks Augusta McKay Lodge’s Australian debut.

Kat Stewart is the beating heart of a powerful new play set in a working-class Australian town with limited life choices.

Showcasing his astounding technique, the Swedish trumpeter explores old and new Vienna.

Pure in tone and with laser-like accuracy, Licht dazzles with a program steeped in the early history of the high male voice.

Despite late substitution, Miriam Allan’s radiant return pitting Bach with baristas hits sweet spot.

We have a problem. An ambitious world premiere about a Mars mission fails to launch.

An epic Australian story finds lyrical expression through music, movement and commanding central performances.

Gorgeous voices and Tchaikovsky’s aching score overcome a slow and sombre beginning.

Minor flaws aside, this show shines when Broadway star Will Swenson performs some of the 20th century's greatest hits.

Precision, colour and imagination define Attacca's memorable interpretations of Shaw and Ravel.