Review: Terra mater aestiva (Blackheath Chamber Music Festival)
A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.
A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
Virtuoso David Elton conjures trumpet magic in a chamber music setting.
A packed Concert Hall experiences the intricate interplay of music and image with composer Jung Jae-il leading the score for Bong Joon-ho's thriller.
John Bell and Elysian Fields join forces in a world premiere that reimagines Shakespeare and Wyatt through evocative, jazz-infused settings.
Against the odds, the Australian premiere of Jonathan Dove and Graham Vick’s reduction pays off.
A virtuosic hybrid approach to performing Baroque music with largely modern instruments.
Time-honoured Sydney Symphony debut for Recorder Queen Genevieve Lacey.
Fast closing in on its 30th birthday, Julie Taymor's spectacular staging of this 'Hamlet with fur' story still entrances adults and kids alike.
This theatre-meets-cabaret Cinderella villain origin story stops short of turning the stereotypical evil stepmother into a fully rounded character.
Maude Dromgoole’s play taps into matters Malthusian with the story of an eco-activist couple accidentally contributing to the world's population problem.
Pinchas Zukerman shows that sometimes, five stars are just not enough.
A period setting reminds us how modern, and how merciless, Chekhov can be.