From Glyndebourne rehearsal room to triumphant opening night, British tenor Allan Clayton recalls the roller coaster ride involved in bringing Brett Dean’s complicated new Hamlet to life.

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The dancer-choreographer will appear in XENOS in 2018, a fitting bookend to his Australian appearances. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

After a dazzling reception at Glyndebourne, Neil Armfield's production is coming to Adelaide – without a dog as Horatio.

The star of Rufus Wainwright’s Adelaide Festival opera talks us through the highs and the lows of life as a Prima Donna Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Neil Armfield and Rachel Healy's debut programme has finished with the biggest takings in the Festival's history.

Judy's ruby slippers dazzled, as did the vocally brilliant Jacqueline Dark singing Régine Saint Laurent.

Magnetic world premiere, a perfect combination of fluidity, mettle and danger.

The Italian ensemble fail to captivate in a performance marred by tuning issues, wrong notes and a lack of verve.

Miriam Margolyes and the ASO are a dream team, their respect and love for orchestral music is infectious.

Musically mind-blowing – a highly talented, intelligent collaborative period music ensemble.

This beautifully conceived interactive installation is an act of remembrance and of gentle protest.