There's too much going on in Theresa Rebeck's Bernhardt/Hamlet but actor Kate Mulvany exerts huge gravitational pull at its centre.

Walsh Bay Arts Precinct Manager Sally Noonan to head Melbourne Theatre Company and bolster its post-Covid recovery.

Anne-Louise Sarks discusses her path to directing, her special rapport with Kate Mulvany, and Sarah Bernhardt’s bravado.

While the play would have fared better in a smaller venue, it's a smartly written, intelligent, well-performed piece about fact, fiction and the concept of "truth".

Anne-Louise Sarks says her inaugural MTC season offers new perspectives and tells familiar stories in new ways in order to open up conversation and attract new audiences.

We chart the latest appointments and departures in the arts sector, among them Anne Dunn who joins Sydney Theatre Company and Carl Crossin who leaves Adelaide Chamber Singers.

Anne-Louise Sarks will take over from Brett Sheehy to become the company’s seventh Artistic Director.

Journalist Sally Sara’s fictionalised account of life as a foreign correspondent takes its audience behind the headlines.

The season will include the world premiere of the musical The Dismissal, Glace Chase's Triple X, and the return of The Picture of Dorian Gray starring Eryn Jean Norvill.

Productions include the return of Fangirls and A Room of One's own, three new Australian plays, and The Cherry Orchard.

An intelligent, lucid production that gets the balance between comedy, cruelty and pathos just right.

Highlights include Kate Mulvany in an Ibsen gender-switch, an adaptation of Bliss, and a revival of the Hayes’ Calamity Jane. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in