My Music with Peter Evans
Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.
Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
In the first of three articles, Shaun Rennie offers some fascinating insights into his work on OA's La Bohème and Phantom of the Opera on Sydney Harbour, as well as Bell Shakespeare's new musical The Lovers.
44 productions have been nominated across 28 categories, after two extraordinarily challenging years for the industry.
The latest arts appointments and departures.
What have our theatre companies programmed this year?
A brand new musical and the return of plays thwarted by COVID, not to mention a new home, make for a season of love and reunion for Bell Shakespeare.
The worsening COVID situation in the eastern states has led to more cancellations this week, with events cancelled or postponed across NSW, Victoria and Queensland.
The largest gift Bell Shakespeare has ever received, from the Neilson Foundation, will fund company's new studio space, The Neilson Nutshell at Pier 2/3, Walsh Bay in Sydney.
The eminent actor draws on his 65-year passion for The Bard, delivering a range of speeches and some fascinating insights into the plays.
Australia's great Shakespearean actor discusses his new solo show, why The Bard is so special, and how Shakespeare's writing has become his secular Bible.
The company brings back Hamlet, forced to close this year after a week and a half, John Bell reflects on a life with Shakespeare and Peter Evans directs A Midsummer Night's Dream.
How Nicholas Harding started drawing actors from the wings.