This double bill featuring an opera by Poulenc and a new Australian work, conceived by Ali McGregor with a score by Connor D'Netto, is captivating, intelligent, theatrical and emotional.

This astounding collaboration weaves a moving, epic tale of love and war, with physical feats and technical wizardry that never overshadow the emotion and raw humanity.

Despite some curious omissions, this stage adaptation of Shannon Molloy's memoir features outstanding performances that deliver magnificent moments of emotion and humour.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This month our features explore investing in music education, reevaluating Australian culture through a regional lens, two stage adaptations of Jekyll and Hyde and whether postmodernism has put paid to beauty.

The Artistic Director of the Brisbane Festival explains how her own children inspired her to invite Brisbane’s young people to suggest the music for this year’s Riverfire event.

International acts return for the first time in two years, alongside 20 world premieres, with more than half of the 500-odd performances offered free of charge.

Tapping into the tech-driven zeitgeist, Forgery takes audiences on a wild and wacky ride where human imagination one-ups AI.

We're about to find out what happens when a computer, using algorithms created by Alisdair Macindoe, takes charge of choreography, music, lighting and costumes in a live dance performance.

Like the Bond movies, Skyfall is a cocktail of suave, camp escapism and sterling star power, which it skilfully shakes into a potent musical martini.

Love Stories is an insightful masterpiece of people’s emotive expressions on the enigma of love.

A pleasant sunset cruise with a pop-up performance, an art installation and a soundscape were each enjoyable in their own right but there was little transition between them.